Muting unused strings when playing power chords

by Dave
(NY)

How do I mute the other strings when playing power chords so that it doesn't sound so mushy?

Answer

First of all, you need to work on your picking, making it target only the strings that make up a power chord while avoiding accidental picking of the adjacent strings.

You can mute the adjacent strings by slightly touching them with any part of your available fingers on the fretting hand.

In the following example, when performing a power chord, the index and pinky fingers press the A and D strings, while the middle finger slightly touches the unused low E string, and the side of the pinky finger the unused G string.

Diagram showing the index and pinky fingers pressing the A and D strings, with the middle finger slightly touching the unused low E string, and the side of the pinky finger touching the unused G string. The touching spots are indicated by gray circles.
The touching spots are at the gray circles

You can also use your thumb to silence the low E string.

Image showing how to use the thumb to mute the low E string.

When you transition the fretting hand from one power chord position immediately to the next, without regard to whether it's on the same or different strings, the moment the hand takes off from the first chord, it "automatically" stops the strings from ringing, and in the very short interval of time until you play the next chord, there won't be any significant noise.

But if you need to pause before playing the next chord, like here:

the noise will occur. To avoid this, during breaks between chords, place the edge of your picking hand across the strings, as you do with the palm-muting technique.

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This article was last updated on September 26, 2025
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